The concept of haunting creates a language for the ways in which an unfinished past makes itself known in the here and now (Avery Gordon) and violent histories, or stories, initiate ongoing disruptions, wronging the wrong (Eve Tuck). Haunting often takes place when an official narrative insists that the violence of subjection and injustice is overcome (e.g. after the liberation from colonialism, after Stonewall, at the end of a war) or when their oppressiveness is strictly denied. Now ghosts “appear” as agency in-between subjectivities, images, and spaces and insist on a response. As the haunting becomes real, it stimulates an imagination of how things could be otherwise. What are the means and possibilities of our inquiries to welcome the specters of the past and make unresolved social violence demand its due?
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